Understanding history is essential for understanding ourselves as human beings ā for recognising where weāve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writerās prose is fresh, witty, and moving, then historical novels donāt need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
I have never read a book of historical fiction quite like this one!
In a distinctive and compelling narrative voice, the book explores the real-life figure of Margaret Cavendish, a seventeenth-century woman who exploded the rulebook when it came to womenās lives. Although shy, she was profoundly ambitious and a true polymath, conducting her own scientific experiments as well as writing poems, philosophy, plays, and even sci-fi. Known in the newspapers as āMad Madge,ā she was the first woman to be invited to the Royal Society of London.
I love how Dutton conveys the effervescence and wit of this brilliant woman as Margaret battles against an intellectual world determined to keep her out.
An inventive, spirited novel about a pioneering woman who was shamed for daring to challenge male dominance in the arts and sciences four centuries ago.
Margaret Cavendish was the first woman to address the Royal Society and the first Englishwoman to write explicitly for publication. Wildly unconventional, she was championed by her forward-thinking husband and nicknamed 'Mad Madge' by her many detractors. Later, Virginia Woolf would write, 'What a vision of loneliness and riot the thought of Margaret Cavendish brings to mind!'
Unjustly neglected by history, here Margaret is brought intimately and memorably to life, tumbling pell-mell across the pagesā¦
This novel has such a wonderfully bold premise: itās a retelling of the story of the crucifixion of Jesus through the eyes of Jesusā mother, Mary. I love how TĆ³ibĆn takes one of the founding stories of Western civilisation and manages to make it intimate. Jesus is still the Son of God, of course, but he is also the son of a woman, a flesh and blood man, who suffers a torturous death in front of his friends and family.
Using a first-person narrative, TĆ³ibĆn gives us the world through Maryās eyes, showing a humble woman caught up in extraordinary events. Itās a tragic story about the impossibilities of protecting your loved ones, but itās also a story of love, tenderness, and hope.
āTĆ³ibĆn is at his lyrical best in this beautiful and daring workā (The New York Times Book Review) that portrays Mary as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianityāshortlisted for the 2013 Man Booker Prize.
In the ancient town of Ephesus, Mary lives alone, years after her sonās crucifixion. She has no interest in collaborating with the authors of the Gospel, who are her keepers. She does not agree that her son is the Son of God; nor that his death was āworth itā;ā¦
This exquisite book tells the story of the one family in the remote Maesglasau valley in Wales, and the ferocious changes that the twentieth century brings to their traditional rural way of life.
Originally written in the Welsh language and beautifully translated into lyrical English, this is a poignant and unforgettable story. I love how the language is simple, but it delicately renders the lives of the family members, giving them dignity and beauty despite sorrow and hardships. It feels old-fashioned yet also timeless.
"The most fascinating and wonderful book" JAN MORRIS
"A restrained, lyrical tour de force" OWEN SHEERS
In the early years of the last century, Rebecca is born into a rural community in the Maesglasau valley in Wales; her family have been working the land for a thousand years, but the changes brought about by modernity threaten the survival of her language, and her family's way of life.
Rebecca's reflections on the century are delivered with haunting dignity and a simple intimacy, while her evocation of the changing seasons and a life that is so in tune with its surroundings isā¦
This is a strange but deeply moving book, interweaving the life of Victorian poet and priest Gerard Manley Hopkins with the lives of five nuns who were aboard the steamship Deutschland when it ran aground at the mouth of the Thames in 1875. The young nuns all drowned, and their deaths inspired one of Hopkinsā greatest poems, "The Wreck of the Deutschland."
Itās a painful story of faith and hope under enormous pressure, yet there are moments of great tenderness and even humour as the nuns face up to their destiny. Thereās nothing fashionable or sexy about this book, but Iāve rarely read a book written with so much compassion and humanity.
In December 1875, the steamship Deutschland left Bremen, bound for England and then America. On board were five young nuns who, exiled by Bismarck's laws against Catholic religious orders, were going to begin their lives anew in Missouri. Early one morning, the ship ran aground in the Thames and more than sixty lives were lost - including those of the five nuns.Hopkins was a Jesuit seminarian in Wales, and he was so moved by the news of the shipwreck that he wrote a grand poem about it, his first serious work since abandoning a literary career at Oxford to becomeā¦
Some knowledge is dangerous... especially in the wrong hands...
As the conflict in Vietnam heats up, Simon Hannay is pursuing his Masters in Comparative Literature at a Midwest university, teaching karate on the side and doing his best to avoid the draft. He's not overly excited about his thesis... untilā¦
The beauty of this novel is that it takes sweeping historical change ā the Highland Clearances of Scotland ā and manages to make history intimate, showing the impact of events on one vulnerable old woman. In the nineteenth century, much of rural Scotland was forcibly "cleared" of people to make room for sheep grazing. Outside of Scotland, this great tragedy of Scottish history is not as well known as it should be, and neither is Smithās book.
I love its deliberately naĆÆve style, as we see the world through the old womanās eyes and feel her pain as history crashes down on her. Itās full of the beauty of the natural world, but itās also chilling, as it demonstrates the indifference of outsiders to a long-established way of life.
50th anniversary edition of a true modern classic.
'Vividly depicted ... sheer beauty' OBSERVER
'A masterpiece of simplicity' FINANCIAL TIMES
'A simple but noble book ... this deserves to be read' SCOTSMAN
'When she rose in the morning the house at first seemed to be the same. The sun shone through the curtains of her window. On the floor it turned to minute particles like water dancing. Nevertheless, she felt uneasy ...
What had the girl said? Something about the 'burning of houses'. They just couldn't put people out of their houses, and then burn the houses down. No oneā¦
In 1413 two remarkable women meet and share the stories of their lives. Weāll never know what they said to one another, but my novel imagines this real-life meeting between the medieval mystics Margery Kempe and Julian of Norwich.
On the surface, the two women could hardly be more different. Margery is a rambunctious merchantās wife and mother of fourteen children. Julian of Norwich is a serene anchoress, enclosed in a single room, dedicating her life to prayer and contemplation. But both women experience holy visions and both write the earliest known books in English by women. When Margery seeks Julianās wise counsel, and they speak of faith, grief, motherhood, and love, their encounter changes the history of womenās writing forever.
In This Together explores how we can harness our social networks to make a real impact fighting the climate crisis. Against notions of the lone environmental crusader, Marianne E. Krasny shows us the power of "network climate action"āthe idea that our own ordinary acts can influence and inspire those closeā¦
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers inā¦